Touching was born of a desire to ensure that people of different abilities could enjoy art together.

Departing from the colourful shadows characteristic of Changing with Seasons, I used white fabrics of different textures to create an installation tactile in form and intent. My audience was required to use eye masks and take off their shoes before entering the exhibition zone—there, they could climb around on the fabric to trace the shapes of shadows in different seasons.

My original intention was to remove the sensory barrier posed by sight, and thus open to visitors and experience of my art with all its textures, scents, sounds, and whatever else they might find. But different visitors turned out to have very different experiences.

Afterwards, a father who participated with his young son told me that their relationship had never been so close as when they explored the dark together.

爲了讓有視力障礙和視力健全的人同樣地享受藝術，象小姐把七彩的影子全換成白色 - 用不同觸感的白色布料裁成不同季節不同時間的影子的形狀。她又要求所有觀衆在進展區前要戴上眼罩和脫掉鞋子。他們可以在地上爬行，觸摸滿地的影子的形狀和飄移的軌跡。

本來她衹是想讓觀衆體驗失去視力的狀況，并使用其他感官去觀照事物。然而，不同的訪客得到了不同的經驗。例如，有一位帶著小兒子來參與的爸爸，在參與活動之後向象小姐很感激地說，他與兒子在黑暗中一起摸索前進時，他們的關係從未如此親近過。